This is another attempt to “save the music”, because music is not only a commercial thing...
We can save the music. We can save ...more
BigMusic.org has been designed and made by musicians with the main goal to give more visibility to indie or unsigned artist. This concept should not only concern songs and music, but involves the life and the viewpoint of the artist himself. That is why BigMusic.org should be considered as a place where artists or users can express their stories and opinions.
This is another attempt to “save the music”, because music is not only a commercial thing...
This is another attempt to “save the music”, because music is not only a commercial thing...
The music industry is suffering. The major record labels - which rely on CDs for most of their revenue - are in decline. CD sales in the US have dropped more than 20 percent from a peak of $13.4 billion in 2000. But don't be fooled: The market for music is thriving. With the rise of peer-to-peer networks, the iPod, and other digital technologies - plus a 100 percent jump in concert ticket sales since 1999 - the worid is awash in music. The industry now has more sources of revenue - ringtones, concert tickets,
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Slash is on the road with his self-titled solo album, which features guests like Iggy Pop, Ozzy Osbourne and Kid Rock. The...
This is the first release for "The panic" a young and talented Indonesian band.
Called "All Human...
This album is an unmissable beautifull pearl in the jazz music scene.
In Joani Taylor words:
"...Recorded...
After the success of the first single, the most secretive Parisian duo of the moment are proud to present their ambitious debut...
ITS HERE Finally the wait is over, after many months in the studio, The Adam Hole and Marji Curran Band have released their new...
Recorded at Abbey Road throughout 1972 and 1973, Dark Side Of The Moon is one of the best-selling rock albums of all time.
Parsons played a central role as engineer for all the recording sessions, although Chris Thomas was brought in as an intermediary to supervise the mix.
“I think the overall sound was dictated by what was on the multitracks, and I don’t think the mix necessarily revolutionised what was on tape. Chris was brought in to solve any problems between the band and the time of ...more
Parsons played a central role as engineer for all the recording sessions, although Chris Thomas was brought in as an intermediary to supervise the mix.
“I think the overall sound was dictated by what was on the multitracks, and I don’t think the mix necessarily revolutionised what was on tape. Chris was brought in to solve any problems between the band and the time of ...more
Tuesday, Sep 14 2010
Shoreline Amphiteatre, Mountain View, CA
Green Day formed in 1987, and for the majority of its existence the band has...
Thursday, Sep 9 2010
@ The Warfield, SF
Atlanta vocalist Monica debuted in 1995 with the platinum Top Ten singles...
Wednesday, Sep 8 2010
@ Levi's Plaza - San Francisco
Trumpeter Darren Johnston, accordionist Rob Reich and bassist Daniel...
Sunday, Sep 5 2010
@ Jazz Club, Oakland
After 40 years as a jazz professional, appearing on several hundred albums...
ROCK @ Dante's Highlight, Helsinki(FIN)
Saturday, Sep 4 2010
Dante's Highlight, Helsinki Finland
Show at Dante's Highlight. Party Hard Hell Yeah!...
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Even though he engineered Dark Side Of The Moon and many other landmark recordings, by the mid-70s, Alan Parsons was experiencing dire financial troubles. Meeting manager and collaborator, Eric Woolfson, was a case of right place, right time...
“There I was, with all this success but nothing in the bank. Eric went around and said – Where’s my boy’s money? – I had just produced two consecutive number one singles, but I didn’t have the nerve to tap EMI for more money. Eric ...more
“There I was, with all this success but nothing in the bank. Eric went around and said – Where’s my boy’s money? – I had just produced two consecutive number one singles, but I didn’t have the nerve to tap EMI for more money. Eric ...more
Alan Parsons was an ever-present figure during overdub sessions for The Beatles’ last album together, “Abbey Road”. Recorded during the summer of ’69, the album was testimony to the band’s relentless musical and technical discoveries, and is recognized by many critics as being their most complete work. Always first with a new sound, The Beatles were the first artists to use the embryonic Moog synthesizer on a commercial pop record; its sounds being particularly evident on
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